My new Spotify playlist… I need your help!
I’ve recently had the pleasure to be invited to hold a weekly playlist on Spotify, a list where I could share about music that “made” me as an artist, a person. So instead of exclusively dwelling in the past, like I love to do with my blog “Out for A Spin”, I decided to share a top 10 list of whatever music I’m listening to, that I’m excited about, or that I simply feel like communing with you, no matter the artists, songs, style, old or new…
To do so, I will feature one of my favorite artist’s new album, whenever possible, who will take the first 3-4 spots in my top 10. Tracks 5 to 9 will be the music I’ve listened to during the previous week. And track 10 will be YOUR choice! So share with me some of your favorite songs, as they may make it onto my playlist! Just message me on Facebook and mention that it’s for #10 🙂 It can be whatever you like, as simple as whatever moves you or whatever you want to share and I will randomly pick one of those songs to share through the digital web world. Oh, I called the playlist “Digital Noises for Analog Souls”.
I’ve been faithfully following Sharon’s career from pretty much the beginning. I became even more of a fan of the artist when I had the privilege to discover the person itself. I always had a soft spot for the honesty with which she shared her heart out and obviously always loved her voice.
Therefore, I was really intrigued when I heard she was heading to the studio with renowned producer & engineer John Congleton. John worked on several records that are part of my personal all-time favorite artists, such as Swans and Explosions in the Sky. I was wondering if it was marking a shift in Sharon’s beautiful ethereal style, if we would witness an identity metamorphosis or if we would be invited to commune a new season of her life. I’m like every fan; excited about new material but worried to feel like losing something that was important to me, which is why I rarely listen to album pre-release singles or tracks…
As published in the Japanese magazine BEEAST
My stay in Paris and in Tangier, although always too short a stay, has once again been magnificent, reminding me the great privilege that I have not to travel, although this is a privilege, but to have people who are precious to me, who are very dear to my heart, who are the bright colors of the soft breeze and the warmth that allow me to live my coming back to the light with so much joy and peace, and who, above everything else, remind me, or even allow me, to gaze upon the nature of the soul shadows that have been my companions for so long that they have become confidents, faithful journey buddies, the strange images of a life made with paradoxes we do not comprehend but that shape the very essence of our existence, at least for the one which I have often, if any, the less perspective of, the less grasp, the less distance to, the less understanding of; my life. So these last days did me a lot of good.
In fact, I have loved Paris since the day it was nothing but a distant dream, the illusion of a future I couldn’t even consider being mine, a long, long time ago now. I love to sway without a precise destination, join the dances of strangers on the run, who jostle, in a hurry, insistently living life on what seems to be the countdown of a lifetime, being carried by the perfumes of the neighborhoods that go by to the rhythm of my aimless steps, spying on time that goes by over and over again, never stopping. Here, a word. There, a smile on the horizon of a generous look. An indescribable happiness made of horns, arguments between passersby on a sidewalk never wide enough for the short breath of one and the panting of the other… life. These few moments, stolen from the life of strangers, inspire me shivers that I want to make mine.
Excerpt from Alex’s SFCC exclusive blog. Read the full version here
In memory of Glenn Branca, one of the most incredible musical geniuses of all time. His loss will be greatly felt forever
There are moments in your existence that you can easily point out as the beginning of what would become a succession of very bad life decisions. And trust me, it can start earlier than we think or would like to admit. With a little bit of perspective, you can identify those moments so clearly that it’s quite difficult to see anything else when you look back for answers or clues to explain what went wrong, what could have possibility derailed the course of your already so brilliant journey. Well, if I think as my 13-year-old self was thinking back in the days… So let’s go back down memory lane, which seems to have become the mantra for “Out For a Spin” – and somehow a cheaper kind of therapy for me…! Anyway, here’s the story:
I was 13 going on 14. I was already creating trouble (and troubled). I was dealing with high school life like my friends were dealing their time in juvenile facilities. For me, school was pretty boring on the good days and awfully depressing the rest of the time. But somehow, I have always managed to be a A-grade student, which is strange by all accounts considering that I’ve had to deal with a light form of dyslexia from as far as I can remember and that I have never attended the same school for 2 years in a row until high school, sometimes having to change schools 2 or 3 times within the same year due to my folks’ financial instability. Different cities, different schools, different bullies, different worlds… Tough times for a kid trying to fit in, to blend in.
Anyhow, I always found myself being integrated into those “special” classes supposedly assembled to offer a more advanced academic program to the students who had a little more learning abilities (or more time to do their homework!) than the others. This became utterly weird for me in high school, as I was not only the sole student in those groups who didn’t understand the concept of being dressed cool, of having European summer vacations, or even what it meant for a family to have 2 cars (every car my parents owned were as different as the clothes I was wearing compared to the others… trust me!). So that was my so-called life; elementary school was being beaten up every time the last bell rang, no matter which new school I was attending, and high school was… well, complicated to say the least 😉
Excerpt from Alex’s SFCC exclusive blog. Read the full version here
I will always remember the very first time I heard that absolutely stunning record. I was sleeping over at one of my friends’. His folks were out for the weekend, and we had the very clever idea of doing some house party. I was really enthusiastic about the prospect of seeing a girl I was fond of, who had told my friend she would come to our party… I was thrilled!
As we were very mature and serious 14-year-old party organizers (obviously), we had to keep some family furniture and other very-likely-to-be-broken stuff safe in my friend’s parents’ private room; pool table, huge TV (well… at the time, it was huge!), large speakers, a little bar (in which, to our great misfortune, all the bottles were being kept behind locked glass doors). It’s actually while looking for the bar keys that my eyes were opened by one of the most magnificent discoveries of all: a whole wall of bookshelves filled with a VERY VERY large collection of vinyls, standing there, alone, for me to lose myself in. From that moment on, every other thought I had about the party, the keys to the bar and even that wonderful girl who occupied my every thought totally disappeared, to leave place only for that newfound treasure of mine.
Standing in front of that Saint Grail, I delicately started flipping the records, picked some to look at, put aside some for further exploration… There were so many! I was totally amazed by all those albums jackets; so many artists I had never heard of, so many of my personal favorites, The Clash’s “Sandinista” triple album (What?!? Wow), the whole Rolling Stones discography, David Bowie, some punk classics, Public Image Limited’s Metal Box original (I should have stolen that one – not that I haven’t thought of it, but you’ll understand why I didn’t a little later! So keep on reading!)… My friend was laughing to see me so completely absorbed. He explained that his dad was a crazy music lover and that he was paying fortunes in special edition imports from the UK and that he was even traveling to New York City to buy some! I was in heaven…!
Dear brothers, sisters, friends, fans and loved ones,
I hope you are doing wonderful, as we just let go of 2017’s fair share of emotions and presently dwell on the already full-motion stream of the utterly promising 2018. And with the invitation to redefine ourselves that comes with all the passion of such new beginnings, we can envision to unfold life with a renewed faith in the most hopeful of all dreams, one color at the time, one discovery after another, breathing with exaltation and excitement, living in the present tense, knowing that tomorrow will somehow take care of itself, as it always does.
I can say that the last 12 months have made of 2017 quite a mesmerizing and deeply significant year for us all. Us, as a band. Us, as friends. Us, as a family. It has been a seasonal period rich in moments, generous in fulfillments. Both collectively and personally, we discovered, as much as we rediscovered, the meaning of having a joyful “togetherness”, took the time for a simple smile, lost ourselves in communing laughter, contemplated the beautiful grace we have to grow alongside each other still, even when separated for some time – and we’ve been for quite some time.
In fact, maybe that’s why 2017 has been such a significant year for us. Me being away, drifting for a while in order to find a little of what was left of myself, realizing that even if the truth may reside in places we can’t fully comprehend, freedom always blooms from the honesty we have towards ourselves and those we dearly love. We tend to fight our personal shadows with so much alienation that we inevitably become darker than the shadowy companion lights create around us. Our personal pilgrimage might lead us to the end of the world, but it rarely finds us settling down where we initially saw ourselves kneeling at dawn, enlightened in let go, in acknowledgment, in acceptance, maybe… Something far from the fatalism of our covenants, our personal dogmas, evolving certainties and other make-believes.
Therefore, I guess it’s no wonder that I’m presently seated at the very same table where the journey began for me, almost 2 years ago, in Tangier. The very same place where I worked on the band’s latest book project “A Journey Beyond Ourselves”, where I wrote so many songs, but most importantly, where I’ve been able to find peace gazing at the sea from early morning to dusk, from my ever-growing fear of abandonment to the liberating grace of silent introspection, of personal reflection and retrospection. Some talk about emotional cycles, a rebirth of sorts, while others talk about getting back to where your soul belongs, where you’ve been in another life… I don’t know… Maybe it’s as simple as finding a place where you can look at the reflection in the mirror without having to bear the burden of being yourself, the deception of what you became… A place you can call home, be received as whoever you may be in that particular moment in time. I don’t know… Tangier is all that to me… Elusive as honesty, as love, as death and everything in between… The sum of all, or the sum of nothing at all.
And it’s quite significant for me that, adding to the amazement of how unbelievable of a voyage our common life story has been over the past 10 years – and what a crazy decade it was, made of numerous collective miracles, witnessed within ourselves and into others – I had the great privilege of inviting my brothers, my sisters, my friends and fellow life partners to my place, Tangier, where we have the incredible blessing of establishing a recording studio in order to work on sounds, on words, on colors, on images, that we’re all opting to turn into songs, lyrics, paintings and movies in order to discover and rediscover who we are as a band, as friends, as a family… Uplifting pieces of hope we are impatient to share with you all.
So, in that refreshing creative new space of ours, Ben and I, with Sef’s collaboration, gave life to a new musical project that should be released this upcoming spring. It’s something very different from everything we have given life to before, an artistic landscape made of blissful and galvanizing emotions, a conceptual project inspired by the resilience of those who seek, by the solidarity of those who stand with those who kneel, by the triumph of an idea greater than oneself, of pure love born out of desperation. We are very proud of that project and can’t wait for you all to discover its nature.
As for Your Favorite Enemies’ next endeavors, the upcoming few months should be rich in communion, as the 6 of us are now assembled in Tangier until April to explore and experiment together, which has always been our way to firmly resist the temptation of creative convenience and comfort. The only perspective of being reunited here is already magnificently inspiring, to say the least, so we can’t wait to see what will emerge from the blooming sea of our artistic heartfelt revivification.
Impatiently awaiting the moment we will be with you all, we want to wish you a fulfilling and exhilarating new year, knowing we will see you very soon, may it be for a cherishing hug, a mutual smiling instant shared, a concert or a musical type of communal ceremony, or someplace on the road somewhere.
Much love to you all,
Alex, alongside Jeff, Miss Isabel, Ben, Sef and Moose
PS: Make sure to join the band’s fan club (SFCC) for more info on the upcoming projects and our current North African adventure.
As published in the Japanese magazine BEEAST
I stood in front of my bedroom door with probably more excitement than my 2 little furry boys MacKaye and Leonard, who were crying and barking for me to quickly open up. That pure loving moment is what has kept me coming back home on a regular basis in the year that has gone by, separating me from actually being able to say: “Alright, I’m back home.” I never thought the last year would go as it did, even if I didn’t have any plans. Days became weeks. Weeks turned into months. And without further notice, I found myself wondering if I would ever come back at all, which I believe wouldn’t have happened if it wasn’t for writing the book “A Journey Beyond Ourselves”. I was that emotionally damaged, but realized I wasn’t that definitely broken after all. You can run as far and as long as you want, for all the good or wrong reasons. Time doesn’t heal… Only forgiveness does.
It was somehow special for me to be back in the studio last night, after what felt like an eternity. It was special to stand in a place with so much history, with so much of our tears, laughter, mourning dreams and exulting success. I didn’t expect the place to be anything else. Again, it’s what we decide to make out of all those moments that determines their nature and therefore their emotional implication. Last night, without any other reason than feeling it, all through the freedom by which I live my life now, I was even able to share with the others. I used to keep any personal emotion to myself, so this reminded me how something as simple as being in the same place as the others had never been quite that simple for me before. Sharing some song ideas and revealing a little of the emotions that came with them was good to me… it was simple.
Some of the things I shared were about the fact that, in the midst of the world’s present chaos and its everlasting new grieving morning after, I felt it was time for me to give life to the words of compassion, grace and mercy I kept on writing about in order to purge the intolerance and fatalism that roams around, following every unbearable and crushing act of revolting terror we are either part of, may it be as victims of anger or powerless survivors, or disconnected from, may it be to protect ourselves from hate or as an acknowledged denial to live without fear, whatever it may be or not. As I told a dear friend who asked me to write a text for an important newspaper after a recent act of abominable and revolting horror, I wasn’t able, as shameful and disheartened as it may sound, to keep on writing eulogies anymore.
Excerpt from Alex’s SFCC exclusive blog. Read the full version here
“Standing on a Beach” by The Cure was the first LP (along with London Calling by The Clash) I ever bought as a kid. It’s actually a very significant album for me, as it represents my personal musical and art type of rite of passage. Every time I listen to the record, it brings me right back to my friend’s basement on a Saturday morning, where his older brother was rehearsing with his band. It was the very first time I watched a live band. I remember my friend going out to play baseball while I stayed in order to listen to those guys play songs from The Cure, The Smiths, Joy Division, The Sisters of Mercy, The Jesus and Mary Chain, The Birthday Party and even some Sex Pistols, The Clash and the Ramones… and many more!
The rehearsal probably lasted 4 – 5 hours straight, which I believe was due to the overly appreciative presence of a young fan who kept asking them if they knew any other song almost before they could end the one they were playing. It’s special, because that moment, just like the songs they played, would eventually not only define the artist I became, but also the person I would grow into.
Read the full version exclusively on the SFCC
We are totally devastated by the horror that occurred last night in Manchester, a city that has always been very significant for the band, and where we have so many great friends and family members. Our most compassionate thoughts and purest prayers go to the families who have been ripped from the blessings of their loved ones, and to everyone, who just like us, feel helpless in front of such monstrous and abominable acts of hatred and violence.
Every morning following such a horrifying display of disasters, might they be perpetuated in familiar places or far away, reminds us how fragile gathering peace and communal empathy look like before the implacable nature of hatred… How the price for forgiveness and love seem to be more and more difficult to pay for people of good will… as we are to be facing the most horrible fears and dreads there is, which is to become the same monsters we are now so deeply despising… At least that’s always my personal decision to make.
Let’s embrace life; it’s always the most inspiring way to honor the ones we have lost and to respond to hatred and terror.
PS: We also want to thank everyone who sent us messages inquiring for the safety of Jeff and me as we are just coming back from the UK… Sorry it took time for us to react, we are as shocked as you all are… One thing is for sure, though; your affection is once again so inspiring to us all. Thank you for reminding us the power of true love.
To deny anyone’s rights is to deprave everyone from their rights. We might not understand, we might not be comfortable, we might not even agree, but one thing is for sure; the moment we deny equality based on our beliefs or on other people’s differences, we become accomplice of the hatred that each and everyone of us had to face, are facing or will face one day for simply being who we are. By acknowledging who we are, whatever it might be or not, it is to assume what others might be or not as well. Want it or not, we’re all strange, weird or wrong for at least another one. And this is what makes the world a far more captivating place to evolve in than any homogenized dictature created by our fears and what we rebuke. At least, true or not, that’s where I stand… Human rights for all… no exception!!!
New York has always been a fascinating living entity for me. More than just an iconic name to hang onto, it is like a world revolving on its own, almost a fictional concept of sorts… It’s as if time never had any kind of authority on its evolving motion tides. It feels like the center of everywhere you may try to look at; the past, the present, the future. Blissful joy and apathetic misery. Everything we’re trying to leave behind and all we’ve ever wished for. Addiction and freedom. Community and self-reliance. It’s a symbolistic imagery of liberty and an implacable opulent stronghold. A pornographic indigence and a sanctified ambition.
Like a mirror reflecting its vision of the world it creates and destroys, it’s a romantic illusion for everlasting love devotees. A refuge for those in need of a new beginning. A theater for anyone longing for a brighter light to shine. A hideout for strangers. A noisy crowd for those fleeing their own silence. An ongoing picture of past nostalgia and future envisioning. It’s a busy street for an anonymous writer, a mystical fire, a mysterious desire to kneel for, an elevation of our own contractions. It’s the beauty of all creations and the chaotic natural disaster that comes with it. It’s what it tastes like to be God in your own rights, and what it means to truly be human.
I grew up in a storm, ever too old to believe and too young to really care. Most live to say goodbye, some die to feel alive. And as close as it might be from home, reality always seems to be the furthest of all places to reach out to, as if the distance between a dream and its incarnation remains the greatest one to overcome. And on that foggy and rainy night of March 1, 2016, walking on Broadway, drinking wine surrounded by loved ones’ laughter and amazement… That moment wasn’t New York City. It was resolutely greater than any of its dazzling lights and its vibrant skyline. It was family… As magnificently simple as it is. As inspiringly empowering as it is. Family… and its unique ability to allow its own to be, between a dream and its incarnation, whatever they are or might be.
New York City… “Most Live To Say Goodbye – Some Die To Feel Alive”