5 Questions with Alex Henry Foster
As originally published in Laut.de (In German)
Read the original article here
Some of you may know Alex Henry Foster from the band Your Favorite Enemies. For several years now, the Canadian has also been performing as a solo artist (supported by almost the same musicians under the name The Long Shadows). As such, he has now collaborated with the Japanese artist Momoka on a special work called “Kimiyo”. Created after a heart operation that robbed Foster of both his voice and his ability to move for a long period of time, this also marks the start of the larger project “Voyage à la Mer”, which will be followed by another album and a feature film.
Foster wrote the music for “Kimiyo” with his long-time sparring partner Ben Lemelin. Momoka breathes life into the whole thing with her interpretation of poetry recited in Japanese. If you like acts like Alcest or Caspian, you should check it out. Foster answered a few questions for us.
Foster wrote the music for “Kimiyo” with his long-time sparring partner Ben Lemelin. Momoka breathes life into the whole thing with her interpretation of poetry recited in Japanese. If you like acts like Alcest or Caspian, you should check it out. Foster answered a few questions for us.
1. Which album had the biggest impact on you as a musician?
That is a very challenging question for me to answer. Music and art have always been at the center of my life from the get-go as my dad was all about Sabbath, Zeppelin, The Stones, The Doors, and CCR. My mother was more into Elvis, Jerry Lee, Little Richard, Chuck Berry, Nina Simone, and The Beatles. So they’re all part of my creative psyche somehow.
That being said, my own foundational cornerstone or self-awareness starting point happened the moment a friend and I ended up making the most “suicidal” type of all transgressions; stealing some of his older brother’s albums. He had a massive collection of everything from Bowie, The Pistols, Captain Beefheart, Maiden, to Can, Neu!, Faust, Ash Ra Tempel, and so many others. It was a punk, indie speed metal, post-punk, new wave, jazz, and experimental masterclass for us. It was like digging in a massive treasure cave that had been left for the craziest to take… My pick — we figured it was better to start subtilizing only one copy as a reconnaissance test — was based on a cover I wasn’t able to take my eyes away from. It featured an old man by the water in some faded black and white style. It was The Cure’s “Standing on a Beach”.
Beyond the visual, the second I heard Robert’s voice and dwelled on the music itself, my life trajectory stopped and the course of my future was entirely rewired. I must have bought close to a hundred copies to give my friends up till now — I’m not excessive! Oh, and stealing from other people is WRONG. I learned that lesson on our second stealing attempt, but that story will be for another interview…!
That being said, my own foundational cornerstone or self-awareness starting point happened the moment a friend and I ended up making the most “suicidal” type of all transgressions; stealing some of his older brother’s albums. He had a massive collection of everything from Bowie, The Pistols, Captain Beefheart, Maiden, to Can, Neu!, Faust, Ash Ra Tempel, and so many others. It was a punk, indie speed metal, post-punk, new wave, jazz, and experimental masterclass for us. It was like digging in a massive treasure cave that had been left for the craziest to take… My pick — we figured it was better to start subtilizing only one copy as a reconnaissance test — was based on a cover I wasn’t able to take my eyes away from. It featured an old man by the water in some faded black and white style. It was The Cure’s “Standing on a Beach”.
Beyond the visual, the second I heard Robert’s voice and dwelled on the music itself, my life trajectory stopped and the course of my future was entirely rewired. I must have bought close to a hundred copies to give my friends up till now — I’m not excessive! Oh, and stealing from other people is WRONG. I learned that lesson on our second stealing attempt, but that story will be for another interview…!
2. Which riff/melody/lyric/pattern you wrote are you most proud of?
“The Hunter”, for the lyrics, the bass line, and the arrangements. It’s a very haunting and engaging song. It emerged through one single exploratory sonic session, a gift of sorts, a particular moment for which we had to be entirely disposed to ‘be’ rather than try and capture it…
3. What should change for the better in the rock/metal community?
I could say racism, sexism, homophobia, transphobia, and all, but it would be unfair and easy, as we can always do better… I believe that people’s fear of differences and everything puzzling has made tremendous progress already. So my take would be fictional rivalries. I’m so grateful I wasn’t part of one specific scene, because it can be pretty toxic to evolve in some of those communities. Maybe it’s because I grew up in the hardcore scene of Montreal where friends were as diverse as the music we liked to discover, but I think we should be more generous towards each other; share, support, introduce, welcome, and receive… just as we are. Everybody would be growing, both personality and artistically, in a way nobody could predict, which for me is the blessing that art offers to us all.
4. What’s most important for you in your music?
People, community, communion, transformative transgression, and uplifting let go.
5. What made working on „Kimiyo“ special compared to previous projects?
It’s a project that has been my lifeline following my near-death emergency double heart graft. I couldn’t speak or move much so I had to dwell on the project with an abandonment beyond my self-deprecative condition and let my emotional state define the whole journey that is Kimiyo… Free from my limitative consciousness. I had to listen in order to perceive the invisible, which for a very directive person such as me, has been not only incredibly humbling but profoundly liberating as well.
6. What should people definitely know about you? (aside from music)
That it’s not about “me”, but about “us” and about what we want to create together and commune as one thereafter. The rest is only entertainment.
7. Please recommend a book everyone should read.
I hesitated between “On the Road” by Jack Kerouac and “Fight Club” by Chuck Palahniuk. I guess they are both complementary in terms of inner personal emancipation and self-transformative motion in a way.
Alex Henry Foster & The Long Shadows will tour Germany from the end of May:
25.05.2024 – Weinheim, Cafe Central
30.05.2024 – Augsburg, Soho Stage
31.05.2024 – Siegen Netphen, Freak Valley Festival
19.07.2024 – Loreley, Night of the Prog
24.07.2024 – Tubingen, Sudhaus Peripherie
25.07.2024 – Breitenbach am Herzberg, Burg Herzberg Festival
27.07.2024 – Cologne, Kantine Open Air
25.05.2024 – Weinheim, Cafe Central
30.05.2024 – Augsburg, Soho Stage
31.05.2024 – Siegen Netphen, Freak Valley Festival
19.07.2024 – Loreley, Night of the Prog
24.07.2024 – Tubingen, Sudhaus Peripherie
25.07.2024 – Breitenbach am Herzberg, Burg Herzberg Festival
27.07.2024 – Cologne, Kantine Open Air
Facebook
Twitter
WhatsApp