Following Kimiyo, what would eventually become the second chapter of Voyage à la Mer, A Measure of Shape and Sounds, is an intimate journey of its own, representing a profound personal breathe-in made of several layers of guitar loops, reverberations, resonances, and oscillations juxtaposed together to create a sonic multi-directional contemplative maelstrom. Purposely recorded live to capture as direct a flow as possible, the songs embodied at that exact moment carried their human disposition not only to abandon oneself to the motion but to become one with it. Foster mentioned: “It felt like the representation of an organic movement that could ultimately break us free from the echo chamber we might have been trapped in and therefore end the emotional twirl and affective cycle of redundancy that too often comes with our emptiness and desperation.”