アルバムについて
Voyage à la Merの第2章となる『A Measure of Shape and Sounds』は、独自の親密な旅となり、ギターループ、リバーブレーション、レゾナンスやオシレーションの複数のレイヤーからなる深い個人的な呼吸を表現し、様々な方向に向かう音の渦巻きを生み出しています。できるだけ、直接的な流れを捉えるため、意図的にライブレコーディングされた楽曲は、音に完全に身を任すだけでなく、それと一体となろうとする演奏者たちの想いを体現しています。フォスターは、”僕らが囚われていたエコーチェンバーから自由にしてくれるオーガニックな動きを反映しているように感じたよ。そこから自由になることで、空虚感や絶望に伴う感情の渦や冗長性のサイクルを終えることができたと感じた”と語りました。
The Artists
Alex Henry Foster
Alex Henry Foster (AHF) is a Canadian musician, author, producer, and composer, formerly the frontman for Juno Awards nominee post-rock/noise band Your Favorite Enemies (YFE).
Hailed as an “unforeseen DIY artist” by Rolling Stone Magazine, Alex Henry Foster released his first solo album, “Windows in the Sky”, in Canada in 2018 and globally in 2020. The album is a “dreamy blast of post-rock” (NME) that “brings to my mind artists like Hammock and Asche & Spencer, with heaping helpings of Mogwai and Explosions in the Sky” (BrooklynVegan) and has been nominated for “Album of the Year” in Canada in 2019.
His second album, “Standing Under Bright Lights”, released in April 2021, consists of a complete reinterpretation of “Windows in the Sky” by an 11-piece ensemble and was recorded during a sold-out performance at the 40th edition of the Festival International de Jazz de Montréal. That concert led to a series of live appearances that established Foster and The Long Shadows, his backup band, as a must-see live act, garnering rave reviews and comments and propelling their unique improvisational and unpredictable creative character.
Foster is also known for being a precursor of a new generation of independent artists-entrepreneurs. Co-owner of the label “Hopeful Tragedy Records” along with his bandmate Jeff Beaulieu, he is also the co-founder of the Upper Room Studio, located in a former Catholic church transformed into a multimedia complex.
Hailed as an “unforeseen DIY artist” by Rolling Stone Magazine, Alex Henry Foster released his first solo album, “Windows in the Sky”, in Canada in 2018 and globally in 2020. The album is a “dreamy blast of post-rock” (NME) that “brings to my mind artists like Hammock and Asche & Spencer, with heaping helpings of Mogwai and Explosions in the Sky” (BrooklynVegan) and has been nominated for “Album of the Year” in Canada in 2019.
His second album, “Standing Under Bright Lights”, released in April 2021, consists of a complete reinterpretation of “Windows in the Sky” by an 11-piece ensemble and was recorded during a sold-out performance at the 40th edition of the Festival International de Jazz de Montréal. That concert led to a series of live appearances that established Foster and The Long Shadows, his backup band, as a must-see live act, garnering rave reviews and comments and propelling their unique improvisational and unpredictable creative character.
Foster is also known for being a precursor of a new generation of independent artists-entrepreneurs. Co-owner of the label “Hopeful Tragedy Records” along with his bandmate Jeff Beaulieu, he is also the co-founder of the Upper Room Studio, located in a former Catholic church transformed into a multimedia complex.
Ben Lemelin
Ben Lemelin is a Canadian multi-instrumentalist, songwriter and music producer. Best known as the bass player for Juno Awards-nominated rock band Your Favorite Enemies, he is also the creative collaborator of fellow Canadian Alex Henry Foster, lead guitarist and second drummer for his live band The Long Shadows. Lemelin has been nominated as Canadian Sound Engineer of the Year in 2021 for Foster’s album Standing Under Bright Lights. He runs the Upper Room Studio in the outskirts of Montreal, where he resides.
The Conversation
動画再生
In This Video [Part 4 of 6]
- Letting Go
- Navigating the Upside Down
- No Place to Hide
- Architecture of Truth
- Harmony in Discord
Next Video Out On December 7
レビュー
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★★★★
"Reflections in music, exploration through ambient arrangements, feelings transformed into pure sensations."
"Reflections in music, exploration through ambient arrangements, feelings transformed into pure sensations."
Le Devoir
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“Cinematic Insight is a song that – especially in headphones – has a very strong emotional power, it almost seems to dig inside the listener, it seems to invite him to reflect, to let go of errors, mistakes, defeats. The song seems to indicate a path: forward, beyond the darkness, towards the light.”
Distopic.it
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"Now more ambient than post-rock, the Canadian artist creates an intimate journey where layers of repetitive guitars, resonances, and oscillations form a contemplative work."
Mowno
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"A wordless, ambient reflection on the healing process."
Bandcamp
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"The ambient moods he conjures up, which often sound similar, are astonishing. You can easily imagine the time after his serious operation and lose yourself in these sound worlds”
Musik Zirkus
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"A discovery of Alex's own unlimited creativity"
Ototoy
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“The mix creates the impression that it is playing the musical events behind a mysterious veil. In places I think I can recognize delicate guitar figures that unfold in a sparkling and repetitive manner. The moods range from relaxed to subtly threatening.”
Baby Blaue
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“Fantastic track”
AMBIENT DREAMS
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“What a lovely composition, such a sound bath to engulf yourself into.”
cinematic abyss
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“It was such an enjoyable experience to listen this track. You've put together a lovely arrangement, incorporating numerous appealing elements within the sound design of this piece.”
Piano Ambiance
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“The song's somber atmosphere evokes a sense of sadness and nostalgia, yet it's tempered by a glimmer of hope, much like the gentle snowfall that accompanies a winter's day.”
corecore
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“The song feels like a journey, taking you through different emotions and sounds. The melody is smooth and calming, blending perfectly with the ambiance of the track.”
Post Rock Community
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“Enigmatic & relaxing, I appreciated the ambiance and the feel, thank you Alex Henry Foster for creating intriguing tracks.”
Analog Experience
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★★★★
“The resulting songs are more ambient than his preview work. They ebb and flow like the tide, rising and falling like a leaf on the breeze”
“The resulting songs are more ambient than his preview work. They ebb and flow like the tide, rising and falling like a leaf on the breeze”
3 Songs and Out
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